![]() The study has shown that comparing the effectiveness of the Square Pearson correlation (SPCC), Dice similarity coefficient (DSC), inner product (IP), Euclidean distance (ED), and chord distance (CD) enables a change in similarity method along with MNIST database. In this technique, the developed method reduces the redundancy of the training images and extract compact template sets with better discrimination ability. The paper introduces a new approach for selecting an informative and practical template based on Coefficient of Variation (CV) statistical concept. This work aims to compare and evaluate which of these similarity measures led to low computational operation with high accuracy results using Smale framework. However, there are many other measurements such as Dice similarity coefficient, Pearson correlation, cosine distance, and Euclidean. One standard measurement used in Smale's framework is the inner product. The neural response is a critical semantic component in the hierarchical architecture proposed by Smale and known as similarity measures. Furthermore, the results demonstrate that a priori key information boosts retrieval performance, and that using a triadic chord representation yields significantly better results than a simpler or more complex chord representation. The results show that an alignment approach significantly outperforms a geometrical approach in most cases, but that the geometrical approach is computationally more efficient than the alignment approach. In this experiment we compare a geometrical and an alignment approach to harmonic similarity, and measure the effects of chord description detail and a priori key information on retrieval performance. For an experiment, a large chord sequence corpus was created. In contrast to earlier work that mainly focuses on the similarity of musical notation or musical audio, in this paper we specifically use on the symbolic chord description as the primary musical representation. All very simple really.Īnyway I say again ask the BIAB questions over that the other forum.We present a comparison between two recent approaches to the harmonic similarity of musical chords sequences. You can now do any further editing in your favourite DAW program. Then you drop all the exported RealTracks into REAPER and everything will line up perfectly. If you have made tempo changes in your BIAB song then you have to make these same changes at the appropriate bars in your your REAPER song otherwise the bar settings won’t match up correctly. I then make sure I have REAPER set at the same BPM as my exported wave files from the BIAB song. When all that is done I export all my BIAB wave files for the various instruments into a folder. Changing key mid song is no problem as you just enter the new key chords at that point and your change of key is made. This might include changing tempo within a song. I make the song in BIAB and make any edits and changes. However in general I have only used RealTracks. I have certainly made use of BIAB with REAPER and found it to be an excellent combination. It is a very helpful forum like the REAPER forum is. ![]() You would be much better served asking all your band in a box questions on the PG Music forums where you will receive excellent replies. Can Reaper switch tempo (say, in the drum part) during the song? Are there any reasons to not use BIAB with Reaper?Ĩ. And for MIDI - say a MIDI drum part - can one edit the actual snare, bass drum, and so on to give a different pitch or sound, or add reverb or other effects?ħ. Is it possible to export individual tracks (either Real Tracks or MIDI tracks) in a common format, such as WAV or MP3?Ħ. Similar to the previous question, can one change tempo during mid-song?ĥ. ![]() Is it possible to have various time signatures within a song (or maybe to create different songs and then join them together in order to, in effect, get one new song with different time signatures in it)?Ĥ. Can you mute an individual bar, if you want?Ģ. I have some questions about both the Band In a Box software, and about its potential use in Reaper.ġ. I am thinking about this because it seems to me that using BIAB, or similar software, is a way to get varied sounds into Reaper faster than doing them oneself (e.g., drum track with some interesting fills), and also it sounds like one can create a backing track quickly, and that can be a valuable aid to songwriting / composition. I know that there are people on this forum who use Band In a Box with Reaper, and I am entertaing the thought of doing that, too. ![]()
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